i think there can be a kind of connection - maybe meta-connection - drawn, from the underground and widespread music of the 70s, 80s and 90s.
i think each decade can be drawn to a kind of focal point in music, in expression and intention, or maybe effect.
the decades are not clearly drawn; (in this text) 70s will refer to the music of mid to late 60s to late 70s, 80s from late 70s to late 80s, and 90s from late 80s to mid 90s. as you can see, i'm more about the sonic epochs than the actual decades and years.
i think, the best, and most refined productions of these epochs, generate a certain ecstasy, a feeling of ecstasy, an acting of ecstasy, under the right circumstances, in the listener. and these are very equal to each other, but also quite different, depending of the point of view.
70s music is about the ecstasy of the mind. the krautrock and progrock, psychedelic experiments of that era, made people zone out, trip out, go off in their minds. it's about stimulating the mind, the intellect. with it's complex rhythms, production. the lyrical themes that deal in deep mysteries and pondering. music that is food for your mind - or, as the doormouse said, "feed your head".
90s music is about the ecstasy of the body. dance, dance, dance, while the record spins. techno, rave, hardcore, acid, dance music in general, breakbeat, jungle, breakcore, gabber. made your feet move fasts, your body twirl and shock, until you again zone out, but this time because of the frantic dancing, which is remniscent of tribal dancing, which, in those times were used to reach a state of ecstasy too. your body gets ecstatic, and your start to shiver, and shake, and drift off into a natural high.
80s music seemingly lacks the ecstatic focus of this sonic continuum. yet i think a method of ecstasy can be found here, too. the ecstasy of the heart.
the lush, melancholic sounds that drown you into their emotions, when sorrow and happiness join at the horizon of the emotional set. postpunk, punk, gothic, new wave. with its repetive rhythms and overdose of reverbation while creating synthesized waves of sound, it too makes you trip away, get lost in the sound, reach a pleasurable high.
the repitive vocals with an overdose of delay at the end of some new wave or postpunk songs at that era echo this effect.
this is far from being too exact, or sharply defined. of course 70s music had it's moments of body movements too (actually quite a lot), techno also feeds the mind, and postpunk is intelligent and 'dancable' too. this text doesn't aim to tell something too in a too clearly defined way.
yet it is interesting, to assume these focal points are there, and to explore these connections, and similarities of music, in those different epochs, and in their own epoch.
and, of course, it is due, to go into ecstasy oneself - again.
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